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MISSING!

A pair of feverish imaginations work their respective owners into swivets in this gently amusing story of crossed signals. Each day little Daisy goes to school. Her cat Lupin whiles away the hours until her return by doing cat things, then goes to meet her at the corner at the usual time. When Daisy goes on vacation, she forgets to mention it to Lupine. Next thing you know, each thinks the other has gone missing. “Perhaps a big dog has chased Daisy away!” thinks Lupin. “What if a lion has chased Lupin away! Or a shark! Oh no!” cries Daisy. Each escalates the possible scenarios: Stolen by a witch? Turned into a frog? Carried off by a great bird? Lost? All alone? Found—gasp—a new home? Daisy lays down a trail of kitty nibbles and when Lupin shuffles home, he follows them to his bed, where Daisy is fast asleep. Like a good mother, she wraps Lupin in her arms, then administers a scolding: “WHERE HAVE YOU BEEN?!” What young mind hasn’t thought the worst when a routine is unexpectedly broken? Langley buffers the effects on readers by running both Daisy and Lupin's fearful fantasies in parallel on the same page or on opposing sides of two-page spreads. And his warm-hearted illustrations make the whole episode a spoonful of sweet medicine. (Picture book. 3-5)

Pub Date: Sept. 1, 2000

ISBN: 0-7614-5078-5

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2000

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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