Infectiously enthusiastic but more elementary of look than content, with a hard-to-determine audience.
This lightning-quick overview of select mathematical topics doesn’t add up to anything useful.
The jumbles of cartoon images—many with flaps or, less often, a spinner or other add-on—begin on a hard-to-follow contents map. They then continue in successive single spreads to illustrate surveys of numbers, geometry, probability, mathematical transformations, measurement, statistics and numerical sequences. Skipping such basics as addition and subtraction, Litton immediately plunges into squares and square roots, primes and powers, negative numbers, triangular numbers, zero, infinity, fractions, percentages and decimals in a dizzying whirl that will quickly leave math tyros behind. On the other hand, even budding math geeks won’t bring much away from his simplistic claim that “[m]ost numbers can be broken down into smaller numbers called factors” or a description of decimal places without clear examples. The discourse is likewise overcompressed on subsequent pages, ending with an array of sequences ranging from Fibonacci numbers and Pascal’s triangle to how many times a 16-square length of toilet paper can be folded in half. That isn’t the only case of mission creep, as glances elsewhere at optical illusions and at the hazards of slanted survey questions demonstrate. Furthermore, two punch-out models make this problematic for libraries.
Infectiously enthusiastic but more elementary of look than content, with a hard-to-determine audience. (Informational pop-up. 8-11)Pub Date: Aug. 6, 2013
ISBN: 978-0-7636-6881-5
Page Count: 16
Publisher: Candlewick
Review Posted Online: Oct. 22, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs.
Rejoice! 25 years later, Wayside School is still in session, and the children in Mrs. Jewls’ 30th-floor classroom haven’t changed a bit.
The surreal yet oddly educational nature of their misadventures hasn’t either. There are out-and-out rib ticklers, such as a spelling lesson featuring made-up words and a determined class effort to collect 1 million nail clippings. Additionally, mean queen Kathy steps through a mirror that turns her weirdly nice and she discovers that she likes it, a four-way friendship survives a dumpster dive after lost homework, and Mrs. Jewls makes sure that a long-threatened “Ultimate Test” allows every student to show off a special talent. Episodic though the 30 new chapters are, there are continuing elements that bind them—even to previous outings, such as the note to an elusive teacher Calvin has been carrying since Sideways Stories From Wayside School (1978) and finally delivers. Add to that plenty of deadpan dialogue (“Arithmetic makes my brain numb,” complains Dameon. “That’s why they’re called ‘numb-ers,’ ” explains D.J.) and a wild storm from the titular cloud that shuffles the school’s contents “like a deck of cards,” and Sachar once again dishes up a confection as scrambled and delicious as lunch lady Miss Mush’s improvised “Rainbow Stew.” Diversity is primarily conveyed in the illustrations.
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs. (Fiction. 9-11)Pub Date: March 3, 2020
ISBN: 978-0-06-296538-7
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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