Simple but sweet.
Little Hippo spends the day selling goods from his red wagon to his fellow animals.
Playing at shopkeeper, Little Hippo tows around a variety of objects. Selling them for five cents apiece, he earns enough money to buy something special for Mama Hippo. Ostrich selects a snazzy pair of sunglasses, Long Neck Giraffe chooses a colorful scarf, and Graceful Gazelle purchases a Frisbee. The setup and resolution are quite simple: Little Hippo spends the day as a shopkeeper and uses his money to buy something nice for his mother. But the journey along the way is enjoyable. The illustrations make use of bright colors: an ever-present bright blue sky, rich yellows, and vibrant shades of red. Shopkeeper Hippo is darling in his blue apron and visor, though not all the animals are quite as adorable—Big Hairy Gorilla looks a bit unnerving, for example. Little Hippo is assisted by a small yellow monkey who is never mentioned in the text but is a helpful addition to the business. This tagalong pal also does some silly things and has a storyline with an ending that parallels Little Hippo’s—a fun visual detail sure to appeal to attentive readers. The use of onomatopoeia, like the repetitive “squeakidy-squeak” sound of the wagon rolling, makes this one a good read-aloud choice.
Simple but sweet. (Picture book. 3-5)Pub Date: Dec. 5, 2023
ISBN: 9781635925937
Page Count: 32
Publisher: Astra Young Readers
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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