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FLESH & BONE

From the Rot & Ruin series , Vol. 3

Good thing there will be another sequel.

The third time’s the charm with even more adventure—and gore—as the series continues (Dust & Decay, 2011, etc.).

With their beloved trainer Tom now dead, Benny, Nix, Chong, and Lilah carry on their search in the Rot and Ruin for the still-elusive jet. Just when the teens didn’t think anything could be stranger in a zombie-infested world, they cross paths with Mother Rose and Saint John of the Knife, rival leaders of the Night Church, a death cult seeking the extinction of the human race. Separated from one another early on in the story, the teens battle nonstop with various factions of the Night Church and their zombie minions. As Mother Rose and Saint John secretly try to double-cross one another, the battles turn deadlier. The blood bath is tempered by each teen’s personal struggle with grief and realization of his or her “Warrior Smart” training. Short chapters, punctuated by suspenseful, cliffhanger endings, heighten the tension throughout. Of course, zombies still play a large role, and Maberry keeps each zombie chase terrifying as more evolved and cross-species zombies enter this already dangerous environment. While the teens learn more about the genesis of the zombie plague and the history of the nation (or what’s left of it) since First Night, many more questions remain unanswered.

Good thing there will be another sequel. (Science fiction. 13 & up)

Pub Date: Sept. 11, 2012

ISBN: 978-1-4424-3989-4

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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