by Jonathan Mahler ‧ RELEASE DATE: Aug. 12, 2025
A creditable look at a troubled metropolis and its publicity-hungry power brokers.
Troubling times in Gotham.
As he did in the bestselling Ladies and Gentlemen, the Bronx Is Burning, Mahler scrutinizes a tense moment in New York’s recent past, showing how the divisions that “consumed” the city under Mayor Ed Koch shaped its future and foreshadowed broader discord in the U.S. Mahler’s focus on exhaustively covered figures who held power, or were trying to get it, results in a solid if not revelatory book about four extraordinarily “convulsive and consequential years.” Koch, popular as his third term began in 1986, was soon damaged by his perceived mismanagement on numerous fronts. Corruption scandals undermined his administration. Homelessness surged, due in part to federal funding cuts, reductions in mental health in-patient care, and local government failures. AIDS was killing thousands of New Yorkers. With City Hall slow to act on the latter, playwright and activist Larry Kramer tried to out the closeted mayor and lambasted federal health officials like Anthony Fauci. Conservative writer William F. Buckley Jr. said people with HIV should be tattooed to prevent its spread. Meanwhile, crack decimated poor neighborhoods, as “an inherently biased law” imprisoned many Black users and spared white users of powder cocaine. Violent crime and racial conflict stoked by tabloids made Al Sharpton famous and fueled international interest in Spike Lee’s Do the Right Thing. Rudy Giuliani’s profile rose as he prosecuted Wall Street crooks. And Donald Trump, after making some bad business deals, “was now refashioning himself into the city’s white id,” Mahler writes. When Trump made inflammatory statements after five Black and Latino teens were accused—falsely, it turned out—of raping a woman in Central Park in 1989, famed columnist Jimmy Breslin wrote that he had “destroyed himself” as “all demagogues ultimately do.”
A creditable look at a troubled metropolis and its publicity-hungry power brokers.Pub Date: Aug. 12, 2025
ISBN: 9780525510635
Page Count: 464
Publisher: Random House
Review Posted Online: June 10, 2025
Kirkus Reviews Issue: July 15, 2025
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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