An elegantly written debut offers an erudite analysis of eating disorders in a less-than-persuasive fictional structure. With a self-absorbed heroine, and a hero only slightly more sympathetic to the reader, the love story here, intended to explicate the psycho-medical theme, never catches fire. The real heart of the novel is essentially a long and often intellectually provocative essay on the varieties of hunger—for love, fame, acceptance, and the manner in which young women, especially, respond to them. Joseph and Ruth first meet in college; after graduating, they move into an apartment in New York. Joseph teaches English to Russian immigrants; Ruth, whose father pays her rent and Visa bills, wants to be an artist. She's also obsessed with her weight and has been hospitalized for anorexia. As the story opens, Joseph is beginning to suspect that Ruth is suffering a recurrence: She exercises compulsively, eats very little, and behaves erratically in restaurants. Ernest Flek, a psychologist and a friend of Ruth's divorced mother, gives the concerned Joseph a list of books to read. The list is not only eclectic—ranging from basic texts on anorexia to Kenneth Clark's study The Nude—but suggests the wider implications of eating disorders. As Joseph becomes more and more involved—he spends all of his free time researching the subject—Flek suggests that he must learn to deal with his own hungers and demons before he can help Ruth. Joseph resists, until Ruth leaves for France. As he struggles with his fears, migraines, and guilt, he eventually comes to understand that he was not responsible for his teenage sister's suicide, and that his obsessive need to monitor Ruth's illness has more to do with his own needs than hers. Ruth returns ill, but the two are ready to fight their problems together. More research than romance, which is disappointing, because Rosen can write. It's the ideas, though, not the characters, that have life here.
Pub Date: May 1, 1997
ISBN: 0-679-44816-0
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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