by Jonathan Rosen ‧ RELEASE DATE: Sept. 1, 2004
Again, the ideas take top billing, with the plot a distant also-ran.
An elegantly written if slow-paced story about a young female rabbi who suffers a too easily resolved crisis of faith as she ministers to the sick and dying.
Second-novelist Rosen (Eve’s Apple, 1997; The Talmud and the Internet, 2000; etc.) is a serious explorer of Jewish American life today—the role of faith and the past—but though his efforts are admirable and often germane, they tend to drive his plots more than character does. His protagonist here, Deborah Green, is an attractive young Reform rabbi in New York who conscientiously observes all the Jewish laws. Estranged from her physician sister and her nonobservant mother, Deborah, having found comfort and meaning in her religion after her father died, decided to become a rabbi. Now, she meets Lev Friedman while visiting his father Henry in the hospital. Henry, depressed, haunted by memories of the past—in Europe in 1939, as a six-year-old, he was sent to England and never saw his family again—and in poor health, attempted suicide, though a massive stroke intervened. Lev is a science writer who abandoned his bride on her wedding day and now worries that he’s incapable of commitment. Lev and Deborah are drawn to each other and cautiously begin meeting regularly as Deborah encourages Lev to reclaim his Jewish roots. As Henry slowly begins to recover, Lev and Deborah set up house together. But when a deeply distressed elderly and pious woman, who nearly dies, confesses to Deborah that instead of seeing her beloved dead husband she experienced a complete void, Deborah falters. She disappears, leaving a worried Lev, who pitches in for the absent Deborah to protect her job—he even conducts part of a funeral service. Deborah, though, isn’t easily vanquished by doubt.
Again, the ideas take top billing, with the plot a distant also-ran.Pub Date: Sept. 1, 2004
ISBN: 0-374-18026-1
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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