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THE WHISPERING SKULL

From the Lockwood & Co. series , Vol. 2

Rousing adventures for young tomb robbers and delvers into realms better left to the dead.

An occult portal and its spectral guardian nearly cut short the careers of three rising young ghost hunters in this madcap sequel to The Screaming Staircase (2013).

Continuing their predilection for falling into predicaments that require rapier work and fast exits, psychic detection agents Lockwood, George and Lucy are reluctantly hired by Scotland Yard to track down a mystical old “bone-glass” no sooner found in the arms of a moldering exhumed corpse than stolen. As everyone who has looked into this small but potent artifact seems to have either been driven insane or eaten by rats (or both), police and psychic black marketeers are equally eager to get their hands on it. In fine form, Stroud sends Lockwood & Co. on a trail that leads from an upper-crust social event to the mucky margins of the Thames and into dust-ups with thugs, rival agents and carloads of ectoplasmic horrors that can kill with just a touch. Lucy’s cautionary “If you’re easily icked-out, you might want to skip the rest of this paragraph…” goes for more than one grisly passage. For all their internecine squabbling, the three protagonists make a redoubtable team—and their supporting cast, led by the sneering titular skull in a jar, adds color and complications aplenty.

Rousing adventures for young tomb robbers and delvers into realms better left to the dead. (Ghost adventure. 11-13)

Pub Date: Sept. 16, 2014

ISBN: 978-1-4231-6492-0

Page Count: 400

Publisher: Disney-Hyperion

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

Year-round fun.

Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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THE ORPHAN OF AWKWARD FALLS

Unfortunate Events galore, served with relish.

The creator of such picture books as Frank Was a Monster Who Wanted to Dance (1999) and Three Nasty Gnarlies (2003) dishes up a first novel seasoned with the same delightfully twisted, ghoulish sensibility.

Immediately upon arriving in Awkward Falls, a small Manitoba town known for its canned sauerkraut and its Asylum for the Dangerously Insane (“both,” notes the narrator, “to be avoided at all costs, as one was likely to cause gas, and the other, death.”), 12-year-old Josephine meets agemate Thaddeus Hibble. Thaddeus is a scientific genius who has lived alone since infancy on an all–junk-food diet supplied by a robot butler and paid for by re-animating the dead pets of local matrons. Together the two are plunged into personal danger and worse at the clutching hands of hunchbacked lunatic cannibal Fetid Stenchley, former lab assistant and Asylum escapee. With aid from a supporting cast of colorful locals, a half-rotted corpse brought back to partial life and a ravening herd of chimerical monsters created in a secret biotechnology lab, Graves crafts a quick-moving plot composed of macabre twists. These are made all the ickier for being presented in significant part from Stenchley’s point of view. Wordless opening and closing sequences, plus a handful of interior illustrations, both fill in background detail and intensify the overall macabre atmosphere. The central characters receive just, if, under the circumstances, not necessarily final deserts.

Unfortunate Events galore, served with relish. (finished illustrations not seen) (Melodrama. 11-13)

Pub Date: Nov. 1, 2011

ISBN: 978-0-8118-7814-2

Page Count: 352

Publisher: Chronicle Books

Review Posted Online: Aug. 2, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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