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LLAMA ROCKS THE CRADLE OF CHAOS

From the Llama Book series , Vol. 3

As silly (and sweet) as a basement full of cake, with a hint more substance.

Llama’s single-minded pursuit of delicious desserts reaches new frontiers.

This third installment in the series finds Llama obsessing over the “spectacular” doughnut with extra sprinkles he ate at his birthday party yesterday. If only he could eat it again! The “rational llama of science” sets out to do exactly that. But when his new time-travel pants take him further back in time than expected, Llama finds (and eats) a different birthday doughnut, unknowingly altering the space-time continuum for his younger self. Baby Llama’s sad, lonely birthday “Long, Long Ago” without sweets—or friends to share them with—offers sympathetic context for Llama’s present-day hoarding tendencies and distrust of strangers. Both are on full display after Baby Llama and a host of other creatures from the past and present follow Llama back to his “Today” and start to destroy his home—what if his secret cake cellar is next? But when he and Baby Llama rush to protect the desserts, Llama realizes what his younger self wants even more than sweets. Tight narrative pacing, well-timed instances of onomatopoeia, and expressive, cartoonish illustrations make this an engaging read-aloud. While the narrator seems to take a dark pleasure in describing the consequences of Llama’s inability to read instructions, follow rules, or predict the consequences of his own actions (“he would pay dearly for it”), the cautionary tale elements are tempered by a reassuringly positive outcome for all llamas involved. (This book was reviewed digitally.)

As silly (and sweet) as a basement full of cake, with a hint more substance. (Picture book. 3-8)

Pub Date: July 12, 2022

ISBN: 978-1-250-77676-1

Page Count: 48

Publisher: Henry Holt

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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THE MOST BORING BOOK EVER

Sky-based pyrotechnics make for a fun if somewhat confusing telling.

In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.

“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.

Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)

Pub Date: Sept. 24, 2024

ISBN: 9781250843661

Page Count: 48

Publisher: Roaring Brook Press

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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