by Jonathan Stutzman ; illustrated by Heather Fox ‧ RELEASE DATE: Sept. 8, 2020
Funny and fun with a fundamental, if not fatal, flaw.
A babe in toyland spells trouble for Christmas.
Poor Santa is struggling with major burnout at the beginning of this laugh-out-loud Christmas book. Stutzman’s skillful, witty turns of phrase and Fox’s uproarious comic illustrations depict a decidedly old St. Nick. The opening pages are so strong and funny it’s a shame to see a textual misstep when, just before Christmas, a weary Santa who seems ready to throw in the towel frets that “all the children in the entire world were counting on him.” Most children reading this book will undoubtedly be among those who celebrate Christmas; but it does neither them nor others any good to reinforce Christmas as universally celebrated. Such textual erasure of non-Christian children may undermine the story’s playful tone for some readers when Santa summons Christmas magic to make him young again. His wish comes true to an extreme degree, and the North Pole is left in the tiny hands of his transformed, titular Santa Baby self. Seeing his ineptitude (he can’t even say “Ho Ho Ho!”), the elves initially fear Christmas will be cancelled, but they rally around Santa Baby, who also gets help from a bighearted child in one of the homes they eventually visit. By the book’s end Santa is restored to his status as jolly old elf, and Christmas is saved. Santa presents White, and the elves are racially diverse. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 30.5% of actual size.)
Funny and fun with a fundamental, if not fatal, flaw. (Picture book. 3-7)Pub Date: Sept. 8, 2020
ISBN: 978-1-250-25561-7
Page Count: 48
Publisher: Henry Holt
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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