by Jordan Sonnenblick ‧ RELEASE DATE: Sept. 3, 2013
This provocative, personal peek at legendary Woodstock rocks
When 15-year-old Rich Barber travels back in time from 2014 to the 1969 Woodstock festival, he encounters the ’60s, including his teenage father.
Rich loves playing the guitar and wishes he had been around in the ’60s, like his father and uncle who played in a rock band and attended Woodstock. After his older brother died from a heroin overdose, though, Rich’s father turned into a depressed, overprotective adult. Rich has spent his whole life limited by his father’s rules. When he discovers his father’s been hiding a guitar rock luminary Jimi Hendrix played at Woodstock, Rich defiantly strikes a chord and wakes up on the road to Woodstock with his father, his uncle and his uncle’s girlfriend. A stranger from the future who knows what’s going to happen, Rich conceals his identity and bonds with his father. Together, they witness Woodstock’s free love, rampant drug use and incredible music. When Rich learns his father had abusive parents, he’s determined to “meet Jimi Hendrix, save [his] uncle and change [his] father’s future.” Alternating his first-person narration between past and present, Rich proves a sensitive, insightful and humorous 21st-century guide to the hippie generation’s most iconic event.
This provocative, personal peek at legendary Woodstock rocks . (Fantasy. 12 & up)Pub Date: Sept. 3, 2013
ISBN: 978-1-250-02564-7
Page Count: 304
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Jordan Sonnenblick ; illustrated by Jordan Sonnenblick
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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