This free-verse cooking poem is more than a simple recipe for bean soup. Argueta’s lyrical Spanish translated into its counterpart English is filled with visual and aromatic imagery that turns soup-making into art. Describing ingredients such as water “whose caresses give us life,” garlic cloves each “in a little white dress” and salt sprinkled “as though it were rain blossoming from your hand,” Argueta’s metaphorical instructions produce bean-filled water that doesn’t just boil, but sings as it turns brown, “the color of mother Earth,” making the house smell “like the earth after the first winter rains.” Yockteng’s parallel earthy-toned paintings oppose each new instructive page, illustrating an animated boy performing each step of the recipe until the inviting scent and warmth of the kitchen beckons a loving family to the table. Starred cues appropriately indicate adult help where needed in this eloquent rendering of a nutritious and delicious meal. (Picture book. 5-8)
Pub Date: April 1, 2009
ISBN: 978-0-88899-881-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Echoing Ashley Wolff’s 1988 approach to Stevenson’s poetic tribute to the power of imagination, Kirk begins with neatly drawn scenes of a child in a playroom, assembling large wooden blocks into, “A kirk and a mill and a palace beside, / And a harbor as well where my vessels may ride.” All of these acquire grand architectural details and toy-like inhabitants as the pages turn, until at last the narrator declares, “Now I have done with it, down let it go!” In a final twist, the young city-builder is shown running outside, into a well-kept residential neighborhood in which all the houses except his have been transformed into piles of blocks. Not much to choose between the two interpretations, but it’s a poem that every child should have an opportunity to know. (Picture book/poetry. 5-7)
Pub Date: Aug. 1, 2005
ISBN: 0-689-86964-9
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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