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PARADISE TRAVEL

High-octane storytelling—sad and funny and real.

Colombian novelist Franco offers a nuanced account of the immigration experience in this story of an illegal immigrant lost in the bowels of New York City.

Marlon is living with his parents in Medellín, working as a sales clerk and trying to get into university, when his passionately unhappy girlfriend Reina seduces him into emigrating to the United States with her. When their visas do not come through, their travel agent arranges illegal passage through Mexico. Reina’s determination frightens Marlon, but he is so besotted that he follows along. They arrive in New York without papers or money, and no one answers at the telephone number Reina had been given. Frustrated and scared, Marlon leaves the room they’ve rented to smoke a cigarette outside, but, after an unfortunate run-in with the police, he ends up lost, unable to find his way back to where he left Reina. After a period of hellish homelessness, he gravitates to a Colombian restaurant in Queens, where he is taken in, given food, shelter, eventually a job. His life in America begins. It is a hand-to-mouth existence, but he makes friends, learns English, even meets a nice girl. Still, he cannot give up his search for Reina. He calls Medellín regularly, but no one has heard from her. Eventually, he runs into a woman who was brought across the border with Reina and Marlon, and she finds Reina’s new address in Miami for him. As Marlon travels on a bus from New York to Miami, he recalls in bits and pieces his life in Medellín, his love affair with Reina and his struggles in Queens. Franco combines a sharp eye for the larger socio-economic panorama of life in the U.S. and in Colombia with infectious affection for his characters.

High-octane storytelling—sad and funny and real.

Pub Date: Jan. 1, 2006

ISBN: 0-374-22977-5

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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