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NUMERALIA

A whimsical invitation for children to become likewise “lost in daydreams.” (Picture book. 6-9)

An imagination stretcher disguised as a 1-10 counting book.

From “0 for the way an egg stands” to “10 for a student’s thoughts / lost in daydreams,” the quantity or shape of each number suggests a scenario to Luján. These are often literary, as in “2 for the duckling who is not so ugly after all” and “6 for musketeers alongside their reflection.” Isol, an Argentine illustrator and winner of the 2013 Astrid Lincoln Memorial Award, clarifies some of the associations (that student, for instance, is watching flying bugs tracing the number’s shape) while also reflecting the Mexican author’s free-wheeling approach. Her illustrations feature very loose brushwork and quickly sketched figures suspended in pale expanses of monochrome or low-contrast color fields. While she does present an appropriate number of objects to count in each illustration, the emphasis is on appreciation of the surreal rather than building skills. “8 for sand counting out the hours” features one boy digging in the sand in the top half of an hourglass, while below, another boy holds up an umbrella against the falling grains; eight turtles swim, almost as an afterthought, across the facing page. The overall atmosphere is, properly, one of mild abstraction.

A whimsical invitation for children to become likewise “lost in daydreams.” (Picture book. 6-9)

Pub Date: March 18, 2014

ISBN: 978-1-55498-444-2

Page Count: 32

Publisher: Groundwood

Review Posted Online: Feb. 4, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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  • New York Times Bestseller


  • Caldecott Honor Book

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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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