by Jory John ; illustrated by Lane Smith ‧ RELEASE DATE: Sept. 25, 2018
Skip this stretch of a story and seek out stronger friendship titles instead.
Necks come in many sizes, and sometimes those sizes seem inconvenient.
Edward the giraffe is unhappy about his neck. It’s so…“necky.” Despite fancy adornments and multiple attempts to hide, Edward is unable to accept his longest-lasting problem—his neck. That is, until he meets his complete opposite: a turtle named Cyrus whose problem is also his neck. It’s too short. He desperately wants a banana but can’t reach it. Together they solve each other’s problems and delight in each other’s strengths, thereby also learning to accept themselves as just right. Smith’s artwork is eye-catching and expressive, with a retro feel, using earth tones and geometric shapes to evoke texture and dimension. The story, though lively, does not soar as high as Edward’s neck, remaining earthbound due to well-worn tropes and a too-tidy ending. Additionally, the author has missed out on a STEM opportunity by failing to introduce animal nomenclature, simply labeling the animals Edward believes are staring at him (a warthog, a crocodile, and other animals) as simply “This guy,” “That guy,” and so forth. A clever bit of paper engineering does enable readers to take part in the story for a brief moment. Learning to appreciate one’s body in all its complicated and even ungainly forms is a laudable moral—one that should hide itself behind a more original story.
Skip this stretch of a story and seek out stronger friendship titles instead. (Picture book. 5-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-5247-7203-1
Page Count: 40
Publisher: Random House
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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