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QUIT CALLING ME A MONSTER!

Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

A grand return to a world of endearing monsters from the duo behind I Will Chomp You! (2015).

Readers meet an immaculately dressed, wildly hairy monster who has more than its share of woes. “Quit calling me a monster! Just…stop it, right this minute!” John once again employs direct address to let the monster air its grievances. At first, the scraggly protagonist attempts to prove to readers that it's not so monstrous. Sure, it does have all the trademarks of a monster, with its “huge, toothy smile that glows in the dark” and “crazy hair” and “wild eyes.” However, looks can deceive. As the monster gradually rallies against stereotypes and directs its ire toward readers, the book plumbs even greater depths of humor. “It’s not like I ever call you names, do I?” Shea’s colorful, expressive illustrations enhance the theatrical antics of the monster through the twitch of a grin or eye, making the monster seem as approachable as it is cranky. Still, the good old monster can’t seem to shake the label. After admitting that, OK, it is a monster, it instead opts for a different approach, introducing itself to readers. “My name is Floyd. Floyd Peterson.” After all, Floyd Peterson sounds like someone no one would mind meeting.

Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

Pub Date: Aug. 23, 2016

ISBN: 978-0-385-38990-7

Page Count: 40

Publisher: Random House

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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