by José Ángel Gutiérrez ; illustrated by Stephen Marchesi ; translated by Gabriela Baeza Ventura ‧ RELEASE DATE: May 31, 2020
Truly informative but often uninspired.
Discover the story of the man behind Cinco de Mayo.
Born in 1829, Ignacio Zaragoza Seguín grew up desiring to embody the life of a dedicated soldier. Shortly after the U.S.–Mexican War of 1846-1848, he enlisted in the Mexican army at the age of 24. Despite a burgeoning family, Zaragoza remained committed to his military life, eventually achieving the title of commander of the Mexican army and navy. The arrival of the formidable French army—with their superior weaponry and experienced soldiers—in 1862 proved to be the biggest challenge of his life. Amid the deaths of his wife and three of their children due to typhoid, Zaragoza used his knowledge of the terrain and cunning strategies at the Battle of Puebla to best the French army and thus secure his spot in Mexico’s history. Presented in both English and Spanish (the latter via Baeza Ventura’s translation), Gutiérrez’s sober, plain account offers neither a larger-than-life legend nor a multifaceted portrayal. Rather, the author’s version of Zaragoza comes across as an uber-patriot, a man whose worth is mostly measured in military feats. More fascinating are the rare snippets readers receive of the times, like the fact that Zaragoza’s troops consisted of volunteers, including women. In Marchesi’s dutiful artwork, full of sweeping panoramas and figures frozen in conflict, Zaragoza remains a graceful symbol locked in honor.
Truly informative but often uninspired. (Picture book/biography. 4-8)Pub Date: May 31, 2020
ISBN: 978-1-55885-898-5
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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