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BATTLES IN THE DESERT

A fresh translation of this classic of 20th-century Mexican literature, ready for a new audience to savor.

This coming-of-age story, originally published in 1981, explores the intensity of childhood passion even as it mourns the passing of a version of Mexico City subsumed by the tidal wave of consumer-based globalism.

Carlos is a child of the Mexican middle class, which is made up of “typical wannabes,” according to his brutish older brother, Héctor. During the post–World War II presidency of Miguel Alemán, Carlos’ Mexico City is poised on the dividing line between a way of living informed by traditional culture and the wave of industrialization, importation, and consumer marketing designed to “whiten the taste of the Mexicans.” Carlos’ father owns a failing soap factory which is being outcompeted by North American detergent brands, and his mother “despises anyone who [isn’t] from Jalisco,” which would seem to include Carlos and his younger sister, the only two of her five children not born in Guadalajara. Carlos takes a more egalitarian view of the national and ethnic identities of the people who surround him—whether it is his classmate Jim, who was born in San Francisco and speaks both English and Spanish with no identifying accent; Toru, who is Japanese and spent his early childhood in an internment camp; or scholarship student Rosales, who is from one of the worst slums in the city, Carlos believes that “nobody chooses how they’re born” and manages to float fairly seamlessly among the playground tribes. When Carlos meets Jim’s mother—the beautiful Mariana, rumored mistress of a high-ranking member of Alemán’s inner circle—his aimless drifting develops sudden purpose. In spite of his young age, Carlos falls deeply in love with Mariana. As his passion becomes obsessive, Carlos goes out of his way to gather information about Mariana from her son, to find excuses to stop by Jim’s house after school, and, finally, to sneak out of school in order to confess his love. The subsequent overreaction to Carlos’ actions by his parents, school officials, psychologists, and friends turns the order of Carlos’ life upside down, leading in a circuitous way to the family’s eventual departure from Mexico to a new life as immigrants in America. A tender and unequivocal exploration of the strength of a child’s passion, Pacheco’s work treats the passing of the Mexico City of his youth with the same wistful longing as he does Carlos' love, which, being secret and silent, is the most hopeless type of love and thus also the saddest.

A fresh translation of this classic of 20th-century Mexican literature, ready for a new audience to savor.  

Pub Date: June 1, 2021

ISBN: 978-0-8112-3095-7

Page Count: 54

Publisher: New Directions

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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MY NAME IS EMILIA DEL VALLE

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.

Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

Pub Date: May 6, 2025

ISBN: 9780593975091

Page Count: 304

Publisher: Ballantine

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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