An intriguing variation on border stories that looks at the challenges surrounding an intentional family separation.
A nonbinary tween explores their identity after they move from Mexico to the U.S. with half their family.
Twelve-year-old Ave lives in Mexicali, Baja California, with their dad, Rodolfo, older sister, Cruz, younger brother, Ramón, and mom, Joss. When Joss is offered a teaching position at the University of Kansas, she takes the American-born half of the family to Lawrence, leaving behind Mexican-born Cruz and Rodolfo. While Joss and Ramón embrace the change and quickly make connections with locals, Ave struggles to find their place, seeking solace in an anticipated family reunion—but stumbling upon a secret instead. Pimienta explores the complexities of identity through multiple lenses, including language, culture, values, gender, and family structure. The characters, who variously identify as Mexican, Mexican American, and Latinx, are illustrated with a range of skin tones. Different-colored fonts represent language shifts: blue when English is being used and black to indicate Spanish that’s translated into English; occasional Spanish words and phrases appear. The artwork lovingly and accurately captures the rough beauty of the desert and the ambience of the Midwestern college town. In their author’s note, which includes photos of the landscape around Mexicali, Pimienta describes their engagement with “the complicated yet sincere question I’d been asking ever since I moved to the United States: ‘If I don’t live in Mexico, what makes me Mexican?’”
An intriguing variation on border stories that looks at the challenges surrounding an intentional family separation. (Graphic fiction. 9-13)Pub Date: Feb. 18, 2025
ISBN: 9780593569450
Page Count: 256
Publisher: Random House Graphic
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Fast-paced and plot-driven.
In his latest, prolific author Gratz takes on Hitler’s Olympic Games.
When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.
Fast-paced and plot-driven. (Historical fiction. 9-12)Pub Date: Oct. 7, 2025
ISBN: 9781338736106
Page Count: 368
Publisher: Scholastic
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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