by José Saramago & translated by Margaret Jull Costa ‧ RELEASE DATE: April 10, 2006
Very nearly equal to the magnificent Blindness: another invaluable gift from a matchless writer.
Passive political defiance stirs up a whirlwind of intrigue, repression and bureaucratic insanity in the 1998 Nobel laureate’s 12th translated novel.
It’s a partial sequel to Saramago’s widely acclaimed 1998 novel Blindness, an allegory about a city’s populace mysteriously stricken with, then released from an epidemic of white blindness. Here, the same unidentified city (undoubtedly Lisbon) incurs governmental wrath when, during a major election, 70 percent of those voting leave their ballots blank. This intriguing premise doubtless fictionalizes both Saramago’s own eventual rejection of the Communist Party of which he had been a member for many years, and the highly publicized tax problems that led him to depart his native Portugal and live in the Canary Islands. In any case, this is a mordant satire that vividly communicates contempt for entrenched authority in all forms: in particular, a panicked administration that denounces dissent as treason, spies on its citizens (sound familiar?), eventually moves its capitol to another location, suspends civil liberties, organizes “counterterrorist” violence—and sends an assassin to take out the doctor’s wife (in Blindness, the one character who didn’t lose eyesight) suspected of masterminding “the blank vote movement” and “singled out for public execration as an enemy of her country and of her people.” The spirit of George Orwell rises from these blistering pages—compulsively readable despite Saramago’s fondness for sparse punctuation and lengthy run-on paragraphs. The general thrust is crystallized in deftly drawn generic characters: the befuddled republic’s president, a power-hungry interior minister, a police superintendent who hopes against hope to do the right thing and many other villains and victims, citizens and co-conspirators. And Saramago caps it with a devastating ironic ending.
Very nearly equal to the magnificent Blindness: another invaluable gift from a matchless writer.Pub Date: April 10, 2006
ISBN: 0-15-101238-5
Page Count: 352
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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