by José Saramago translated by Margaret Jull Costa ‧ RELEASE DATE: May 11, 2011
A nonfictional footnote to a brilliant career in fiction.
A slim, elliptical, often poetic memoir by the late Portuguese winner of the Nobel Prize for Literature.
The opening pages of this posthumously published memoir of early childhood by Saramago (The Elephant’s Journey, 2010, etc.) are so rapturously enthralling that they set a standard the rest of the narrative—mainly a series of anecdotes, seemingly random and arbitrary—cannot fully sustain. “Only I knew, without knowing I did, that on the illegible pages of destiny and in the blind meanderings of chance it had been written that I would one day return to Azinhaga to finish being born,” he writes of his birth in a peasant village before he moved with his family to Lisbon before his second birthday—after that he spent time alternating between the two (the writing here mainly and more lovingly portrays the country than the city). Though an early and avid reader with an eye for significant detail, his “silent, secret, solitary self” as a boy gave little hint of the literary master he would become. His mother remained illiterate throughout his life, as were the maternal grandparents to whom he so often returned. Without apparent thematic focus—other than the vagaries of memory and perhaps the ambiguities of boyhood innocence—the memoir hopscotches chronologically through his experiences with dogs, horses and crops; his schooling; his initiation into sexual arousal; and his family. He reveals that he’d initially attempted a volume with the more ambitious title, The Book of Temptations, before realizing that his reminiscences were more modest, “the small memories of when I was small.”
A nonfictional footnote to a brilliant career in fiction.Pub Date: May 11, 2011
ISBN: 978-0-15-101508-5
Page Count: 192
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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