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THE LIZARD

A pensive, allegorical fairy tale for readers ready to sit with perplexity.

Panic ensues when an unwelcome guest arrives.

A lizard appears in the Chiado neighborhood of Lisbon, Portugal. It stops in the middle of the street, halting cars and causing an old woman to scream. People scatter in fear, planes fly overhead, all while the lizard remains mostly unperturbed. Finally, the people launch an attack, and, “thanks to the fairies,” the lizard “was transformed into a crimson rose.” The rose blooms, turns white, then becomes a dove. The narrator claims in the opening that “this is a fairy tale,” for “in what other kind of story would a lizard appear in Chiado?” Semantic arguments aside, this tale is high-concept fiction. With political-leaning overtones, the 1998 Nobel Prize–winning Saramago integrates overriding realism akin to Aesop with Carrollian exaggeration. Young non-Portuguese readers may need an older reader to help interpret the tale’s meaning (and the older reader may also need some outside help). Borges contributes bold, rustic woodcuts that leave plenty of room for symbolic interpretations. There is a visual lack of continuity between pages, with the described “green” lizard alternatively appearing in black and red shades while its head and number of legs also changes. Like the story itself, the translation challenges readers with sophisticated vocabulary.

A pensive, allegorical fairy tale for readers ready to sit with perplexity. (Picture book. 5-8)

Pub Date: Oct. 22, 2019

ISBN: 978-1-60980-933-1

Page Count: 24

Publisher: Triangle Square Books for Young Readers

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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