by Joseph Bruchac ‧ RELEASE DATE: Feb. 2, 2016
Agenda trumps story in this loosely jointed account.
In a mix of history, fiction, letters, and folk tales from two continents, Bruchac chronicles a particularly ugly chapter in the Indian Wars.
Whites are the villains here, from the paternalistic likes of those out to forcibly “civilize” African and Native Americans to buffalo poachers who decapitate their Indian victims and vicious rustlers who disguise themselves as Indians before slaughtering a family of black settlers. The primary narrative concerns Wolf, a teenage member of the Wutapio band of the Striped Arrow People (Cheyenne), and newly arrived young buffalo soldier Wash, who alternately witness (or more often hear of) major events in the Red River War of 1874-75. In between chapters, the author inserts short tales and speeches drawn from the Cheyenne and the Hausa heritages of the central figures, hinting at their parallel richness and wisdom. Within the Red River story, these cultures and the people who embody them are as idealized as the lying, violent “ve’hoes” (a greedy spider from Cheyenne folklore) are vilified. Despite glints of romance and irony, the story is weighed down with infodumps and lectures on the evils of drink and other topics. Although this acts as a corrective to the dominant historical narrative, it also makes for a slow and unsatisfying plot. Considering the grim ending, the moral that closes a final, otherwise amusing tale has a bitter edge: “There is always more than one way to solve a problem.” While no specific sources are given for the interludes, a large bibliography is appended.
Agenda trumps story in this loosely jointed account. (Historical fiction. 12-14)Pub Date: Feb. 2, 2016
ISBN: 978-1-938486-92-0
Page Count: 392
Publisher: Fulcrum
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Rae Carson ‧ RELEASE DATE: Sept. 1, 2011
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by L.M. Montgomery & Crystal Chan ; illustrated by Kuma Chan ‧ RELEASE DATE: Sept. 1, 2020
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Arthur Conan Doyle ; adapted by Crystal Chan ; illustrated by Julien Choy
by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
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