by Joseph Coelho ; illustrated by Fiona Lumbers ‧ RELEASE DATE: Oct. 30, 2023
An upbeat story of a divorced family in community at Christmas.
A young girl has a busy holiday.
Christmas is “sometimes at Mom’s, sometimes at Dad’s,” and Luna has a pretty positive attitude about having two of everything, from Advent calendars to Christmas dinners. This year, however, they’re doing something a little different. Luna’s mom shares the upcoming Christmas schedule with Luna—a good way to help caregivers make busy holidays calmer for youngsters. Making deliveries for the food bank takes Luna and her mom all around town. Luna is already friends with one of the kids receiving food, and the two have a snowball fight. Ms. Pothers, a white-presenting food box recipient, thanks them by reading “A Christmas Story,” which disrupts the narrative flow and makes the tale a bit too long. Then it’s time to visit Dad. The two bake cookies—a nice upending of traditional gender roles—before Luna puts out her stocking and heads to bed. The next day, they head to the town hall to enjoy Christmas dinner with their diverse community. While Luna’s parents don’t interact, this is nevertheless a warm, welcoming, and much-needed depiction of divorced parents making the holiday special for their child, brought to life by cozy artwork. Luna is biracial; her mother presents as white and her father as Black. (This book was reviewed digitally.)
An upbeat story of a divorced family in community at Christmas. (Picture book. 4-7)Pub Date: Oct. 30, 2023
ISBN: 9781684646418
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Fiona Lumbers ; illustrated by Fiona Lumbers
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt & illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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SEEN & HEARD
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