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THE GIRL WHO BECAME A TREE

A STORY TOLD IN POEMS

A brief yet challenging novel in verse that tackles the gnarly, disordered forest of the grieving process.

A teen girl grieving her father’s death goes on a surreal journey toward healing in this verse novel.

Since her father died, 14-year-old Daphne spends her afternoons at the library until her mother can pick her up. She keeps everyone at a distance, preferring to lose herself in the world of books in an effort to keep her grief at bay. One day, she loses her phone—precious because it holds the last voicemail her father left her—and is given a cryptic message to “follow the nuts” to find the creature who took it. Thus begins a surrealistic odyssey through a “forest of past memories” wherein Daphne, like the namesake from Greek mythology her tree surgeon father told her about, turns into a tree. Before she can find her way back to humanity, she must confront the pain surrounding her father’s death and its aftermath. The narrative employs various types of poetic forms and perspectives to chart Daphne’s passage, and black-and-white drawings heighten the haunting mood and tension of her emotional voyage. The surreal middle act is bewildering and oblique, an effect that is surely intentional yet at times difficult to follow. The payoff is the emotional closure Daphne experiences by journey’s end. Characters are assumed White.

A brief yet challenging novel in verse that tackles the gnarly, disordered forest of the grieving process. (Verse novel. 14-18)

Pub Date: May 1, 2021

ISBN: 978-1-913074-78-4

Page Count: 176

Publisher: Otter-Barry

Review Posted Online: March 24, 2021

Kirkus Reviews Issue: April 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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