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GOD BLESS YOU, OTIS SPUNKMEYER

Just stunning.

A Black army vet working as a hospital technician reflects on his life.

Joseph Thomas, the narrator of Thomas’ debut novel, is having a tough shift, but that’s nothing new. An emergency department tech and nurse’s aide, Joseph begins his story with a litany of patients waiting for care in his Philadelphia trauma center, from a young boy with a wound from an AK-47 to a savagely beaten homeless man. Joseph rushes from one patient to another, being slowly driven mad by hunger; his friend Ray, whom he met while they were preparing to deploy to Iraq, is supposed to bring him a hoagie and an Otis Spunkmeyer chocolate chip muffin but hasn’t yet materialized. In a futile bid to distract himself, Joseph contemplates his upcoming trip to Belize with a co-worker, one of several with whom he is sexually entangled. Throughout the novel, Joseph expounds on his complicated personal life—he has children with three different women; his mother, who’s spent time in prison, has a crack problem; and he’s juggling work with graduate school, where he’s writing his dissertation. He’s also frustrated with the arc of his life: “The past nineteen years of day-in day-out grinding hadn’t meant shit because with my own mistakes and failures, the world, and a set of increasing desires for nice things combined I was basically back at square one.” Thomas’ stream-of-consciousness writing is superb, and well suited to the frustrated anger that his protagonist is plagued by: His fury, he says, “is composed, in part, by the material conditions of people’s lives and in part by starvation. It doesn’t help that I know so many of these people, either by blood relation or the repeated offenses of being ill, which are really just the repeat offenses of being poor, which is correlated too strongly with being not white, though in this world, in this country, in this neighborhood especially, with being black.” This is an astonishingly accomplished novel, often funny, often tragic, one that longs for, as Joseph puts it, “that necessary love, that forceful love, that elegant and deeply painful love otherwise foreclosed to us by the world.”

Just stunning.

Pub Date: June 18, 2024

ISBN: 9781538740989

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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