by Joseph Epstein ‧ RELEASE DATE: June 1, 2014
Lots of erudition and bloody (right-ish) fun.
A curmudgeonly cultural critic collects a potpourri of his pieces from the past 30 years, most from Commentary and the Weekly Standard.
Prolific essayist, biographer and novelist Epstein (Essays in Biography, 2012, etc.) never leaves readers wondering about much. He delivers fierce punches to the guts of all sorts here: writers he doesn’t care for (Updike, Mailer, Morrison, Vidal, Roth, Rich—both Frank and Adrienne), practices he abhors in higher education (the death of the liberal arts, emphases on feminism and Marxism and various other -isms in the literature curriculum), publications he doesn’t like (the New York Review of Books, the New Yorker, the New York Times Book Review), child-rearing practices he disdains (contained in a wild essay called “The Kindergarchy: Every Child a Dauphin”), poetry he doesn’t like and sentences he hates. Such a collection inevitably leads to some repetition, so readers hear a few times about his college days (the University of Illinois, his transfer to the University of Chicago), his early days of being a liberal, his peacetime service in the military and his conversion to conservatism—a transformation occasioned in major part by the excesses of the 1960s and ’70s. Epstein does not often communicate any sense of uncertainty; he dispenses opinions and decisions with all the conviction of a judge on an afternoon TV show. Things are so, he seems to say, because I declare them so. Still, his pieces inevitably entertain as well as educate—and/or annoy). He eviscerates Paul Goodman, some colleagues at Northwestern University (where he taught for decades), Maya Angelou and Spike Lee, and he declares that Dreiser and Cather surpass any subsequent American novelists. He also blasts the National Endowment for the Arts (he served the agency for a bit).
Lots of erudition and bloody (right-ish) fun.Pub Date: June 1, 2014
ISBN: 978-1-60419-078-6
Page Count: 520
Publisher: Axios Press
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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