A different, unusual, possibly mind-bending take on a big concept.
Does love come in different sizes?
An adult caregiver uses nature as a backdrop to gently empower the young child initially seen cuddled close by naming things that are much smaller than that child is: dandelions, caterpillars, bees, toads, dragonflies, turtles, and more. The second-person text also realistically explains that there are things in and out of this world that are much, much bigger: bears, waterfalls, lions, oceans, blue whales, stars, and galaxies—even love itself! The speaker elaborates by explaining that love means “a sheltering hug,” a kiss, and gives examples of how some animal families tenderly demonstrate their love in gentle ways. The narration concludes with the reassurance that “love is me and you. Our love is small, but it is big, too.” Many adult readers likely will interpret the statement to suggest that a big emotion like love is often expressed through small yet meaningful actions. Though it’s true, this distinction might confuse some little listeners. It’s likely youngsters will have already been exposed to books like this that reassure them of their parents’ overwhelming love. If so, they’ve received the impression that parental love is enormous. The concept expressed here—that an abstraction like love is comparable to tangible, real-world objects that can be physically compared on a big-small basis—may confound some literal-minded kids, especially if they’ve been reassured otherwise. The colorful, natural-world illustrations, as serene as the reassurance conveyed, ennoble the text. Adult and child both have light-brown skin and brown hair. (This book was reviewed digitally.)
A different, unusual, possibly mind-bending take on a big concept. (Picture book. 3-6)Pub Date: Sept. 21, 2021
ISBN: 978-0-06-269165-1
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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