A small band of heroes tries to thwart the Nazi stranglehold on Rome.
In 1944, “Satan went walking in Italy,” and German troops occupy the Eternal City. They leave the tiny Vatican alone in exchange for the pope’s strict neutrality, although at any moment they could crush its quarter of a square mile in the blink of an eye. Against His Holiness’s apparent wishes, a daring group in the Vatican harbors the Choir, a band of Escape Line activists who help Allied POWs and other fugitives evade enemy capture. Monsignor Hugh O’Flaherty, a real historical figure, leads the rescue efforts at great personal risk and despite apparent disapproval by Pope Pius. My Father’s House (2023) established the basic premise: Save as many people as possible from the villainous Obersturmbannführer Paul Hauptmann. In this exciting sequel, an Allied airman is shot down and wounded, parachuting to an uncertain fate. The Choir brings him in, but he desperately needs medical help to save his life. They can only find a French medical student who has never performed surgery before, and she risks her life to help. The characters are memorable: Monsignor O’Flaherty speaks seven languages, is “fluent in silences,” and often breaks his vow of obedience to papal authority. The widowed Contessa Giovanna Landini shows great courage in standing up to Hauptmann, even when he takes over her home. Meanwhile, Himmler sends Hauptmann a top-secret communiqué warning of the Führer’s “intense displeasure” that the Escape Line still exists. Hauptmann is ordered to complete the job of liquidating the “criminals” escaping into Rome and “smash the Escape Line. Or face the inevitable.” Himmler reminds him that his family is living in Berlin. The story is exciting and rich with prose that’s a joy to read: An American looks at the night sky and declares, “The angels ride Harleys.…The stars are their headlights coming.” This well researched novel can stand on its own, but readers may find even more enjoyment reading My Father’s House first.
Top-notch storytelling filled with emotion and drama.