A welcome, well-informed, queer-positive study of the blind spots a pandemic reveals.
A gay biologist looks at the Covid-19 pandemic through the lenses of queerness and social justice.
NYU microbiology professor Osmundson is a literary essayist—his models and polestars are writers like Joan Didion, Susan Sontag, and Eula Biss, though he also thoughtfully critiques their work—as well as a cleareyed science writer. His ability to explicate queer theory and epidemiology allows him to make thoughtful connections between the pandemic and the AIDS crisis of the 1980s. Then as now, he observes, racist responses to outbreaks led to scapegoating, demonization, and needless death; then as now, relationships are redefined by medications and shifting definitions of wellness. The author notes how war metaphors deployed during outbreaks—e.g., likening essential workers or the sick as “heroes”—have long been ethically fraught, giving people license to treat marginalized victims as acceptable losses. “Unexamined Whiteness” in medicine and media tends to make the virus deadlier for minority communities, and capitalism only exacerbates the problem. Osmundson humanizes this dynamic by thoughtfully shifting from his own personal experience—in relationships, at sex clubs, in an activist Covid-19 research group—to the bigger picture of the pandemic. His writing about viruses themselves can be technical, but he adds an emotional valence, approaching them as undiscriminating, common to all human beings. The author writes in various modes, from literary criticism to polemic (Andrew Sullivan comes in for particular scorn) to diarist, the last of which is a potent reminder of the uncertainty and fear that came with the arrival of Covid-19. Throughout, Osmundson exposes how a virus reveals societies’ connections and bigotries. "Where we place our bodies, and with whom, is a biological choice,” he writes, “and a moral and political one.”
A welcome, well-informed, queer-positive study of the blind spots a pandemic reveals.Pub Date: June 7, 2022
ISBN: 978-0-393-88136-3
Page Count: 336
Publisher: Norton
Review Posted Online: March 21, 2022
Kirkus Reviews Issue: April 15, 2022
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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