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THE HUNDRED DAYS

Where the classic Radetsky March could woo any reader with its breadth, insight and humor, this novel offers a sentimental...

Sympathy for characters vies with purplish prose and blaring symbols in this reimagining of Napoleon’s brief resurgence after his first exile.

Roth (Joseph Roth: A Life in Letters, 2012, etc.) focuses on the period (actually 111 days) between Napoleon’s triumphant return to Paris from banishment on Elba and his defeat at Waterloo, imagining a great man moving toward his downfall. In this slim historical novel, the author dwells on the Corsican’s solitude, ambitions and shifting emotions in two sections, while two others concern a palace laundress named Angelina, also Corsican, who is infatuated with the emperor and whose aunt tells fortunes for the great man. Napoleon has an encounter with the washerwoman that leads to an almost-tryst, as well as two brushes with her son, a drummer boy in the army. The second of these, on his final battlefield, is, like many of the book’s stronger scenes, damp with bathos. Angelina briefly interrupts her adoration of the man, “so great that everything in the world was his,” to dally with the “world of sabres, spurs, boots and woven braid” in the person of “the magnificent Sergeant-Major Sosthene,” a comic giant and the drummer boy’s dad. She will also find refuge during the Elba days in the bed of a kind Polish cobbler with a wooden leg. Aside from reviewing his troops, studying his maps and visiting his mom, Napoleon does little until his coach ride to Belgium and flight to the Atlantic and his last jailers, the British. Roth dwells at length on his solitude and his consciousness of time running short. Ticking clocks and trickling sand in “an hourglass of polished beryl” are less than subtle reminders of “his enemy, Time.”

Where the classic Radetsky March could woo any reader with its breadth, insight and humor, this novel offers a sentimental miniaturist painting soppy little scenes that maybe only a Roth completist will appreciate.

Pub Date: Oct. 7, 2014

ISBN: 978-0-8112-2278-5

Page Count: 224

Publisher: New Directions

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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