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CROSSING THE TRESTLE

This slow-moving story that, for all its unconventional elements, may not satisfy readers, stars Petey, a child with a fear of heights. In rural 1944 West Virginia, however, he has no choice but to walk across a high and narrow train trestle to get to school, and he cannot do it alone. All the members of his family are suffering: his sister, Loni, a talented artist who lost an eye a year before in the car crash that killed their father, refuses to return to school; their mother, Alita, still loves and mourns her dead husband. Stone, an artist who takes Loni under his wing, is a psychologically damaged former POW, but he is also the catalyst to pushing the family across a metaphorical trestle. Slate lightens the atmosphere considerably through Alita’s quirky, often incomprehensible language (her favorite expression is “Geeszoy!”), and the family’s journey is one of small, realistic steps: Petey copes with a bully; Alita confronts their tyrannical landlord when he accuses Stone of molesting Loni; Loni get a glass eye; Petey is thereby inspired to conquer his fear. Stone asks Alita to marry him, and the family looks forward to a new life in Seattle—a sweet ending to a story that has a lively narrative style and a loving family at its center. Patient readers will be rewarded. (Fiction. 10-15)

Pub Date: Oct. 1, 1999

ISBN: 0-7614-5053-X

Page Count: 144

Publisher: Marshall Cavendish

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1999

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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