Move over Casey Jones—John Blair is a legitimate hero who helped save the lives of 300 passengers on a train caught in a terrifying firestorm in Minnesota in 1894. Nobisso (Hot-Cha-Cha!, 1998, etc.) tells the story with careful attention to the sequence of events along with vivid descriptions of the heat, fire, and fear. Through it all, John Blair emerges as a man of extraordinary bravery, compassion, and dedication to duty. Rose’s watercolor illustrations bring the fearsome scenes to life, conveying the thick black smoke and the orange glow of the menacing fire, as well as the terror. The major flaw in the book is the blur between anecdotal history and storytelling. Nobisso incorporates a great deal of conversation into the narrative. Herein lies the dilemma: are these conversations direct quotes from Blair’s report and witnesses’ testimony, or are they the author’s creations? An epilogue presents a great deal of additional information and gives some indication of the author’s research and depth of knowledge. But there is no actual documentation. As it currently stands, the book appears to be historical fiction. As such it is an exciting introduction to a little-known incident in American history and to a genuine African-American hero. (Picture book. 8-10)
Pub Date: Sept. 1, 2000
ISBN: 0-618-01560-4
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)
Pub Date: April 1, 1999
ISBN: 0-15-201378-4
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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