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THE DEATH OF TROTSKY

THE TRUE STORY OF THE PLOT TO KILL STALIN'S GREATEST ENEMY

Narrative history in fine form: thrillingly paced, deeply researched, told through the people at the center of it.

An arresting narrative about the assassination of Leon Trotsky.

In his latest book, Ireland takes a well-worn story and transforms it into a tale as gripping as the best novels of espionage. Much of the book unfolds over the 10-year period that precedes Trotsky’s murder, when Stalin’s agents hunted the revolutionary across Europe and ultimately to Mexico City. Using the great abundance of accounts that already exist, Ireland has written a book that is thick with plot and swift in feel, placing at the heart of the work a large cast of characters made intriguing by their unwavering fidelity to either the house of Stalin or Trotsky. Stalin’s crusade to slay his most bitter enemy is riveting fodder for any author. Yet it’s in the characters Ireland has chosen—and more crucially his deft presentation of their contradictions, desires, and flaws—that the book flows with life. Above all, he gives us a penetrative profile of Ramón Mercader, the man who, after several others failed, succeeded in assassinating Trotsky. Mercader, a Spaniard of a petty aristocratic stock, became an ardent and then hardened communist who, Ireland tells us, spent years infiltrating Trotsky’s world. As the book reaches its final third and Stalin’s agents draw close to the kill, Ireland’s writing reaches a crest, and the spycraft, gun battles, and Soviet schemes land like torrents. Some authors write their books from a thousand feet up, failing to get close to their characters and scenes. Good books get closer, bringing readers within a few yards of the narrative. Ireland puts us within an inch of his characters, offering such acute intimacy that you can hear Trotsky’s terrible scream when Mercader drives the ice pick into the back of his skull, and you can see his blood splattering across the papers on his desk.

Narrative history in fine form: thrillingly paced, deeply researched, told through the people at the center of it.

Pub Date: Feb. 24, 2026

ISBN: 9780593187104

Page Count: 384

Publisher: Dutton

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 529


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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