by Josh Lambert ‧ RELEASE DATE: July 26, 2022
A multilayered scholarly argument for the continued study of “the development of ethnic niches.”
A chronicle of the rise of Jewish editors to important positions in the literary establishment by the 1960s and how they shaped the book industry and the reading public.
On one hand, the concept of a Jewish literary mafia rings antisemitic, especially as decried by predominantly Protestant male authors like Truman Capote and Jack Kerouac. On the other hand, the fact remained that in the early 1900s, the finest publishing houses began to be led by Jews, among the first being Alfred A. Knopf, Inc., founded in 1915, and Simon & Schuster, founded in 1924. Lambert, the director of the Jewish Studies Program at Wellesley College, begins by emphasizing that, until the turn of the 20th century, Jews were largely “literarily disenfranchised” from these positions (as were African Americans, Natives, and other minorities). They were also barred from faculty positions in English programs until the 1930s. The author shows how the next half-century marked enormous changes to Jews’ socio-economic status in the U.S. As significant editors—including Irving Howe, book reviewer at TIME magazine; Barbara Epstein and Robert Silvers, co-founders of the New York Review of Books; and Gordon Lish at Esquire—came on the scene, the publishing industry, both in the U.S. and abroad, experienced an “unprecedented expansion.” Exploring themes like kinship (responsibility to “fellow ethnics”) and homophily (a kind of “cultural gatekeeping”) Lambert, in prose best suited to academics, turns to specific texts to show how the literary establishment grew both nepotistic and meritocratic. Some of the author’s illuminating case studies involve the winners of the National Book Award from 1954 to 1974; Columbia University academic Lionel Trilling’s glowing blurbs for his students (their “shared Jewishness…clearly mattered in the relationships that developed between them”); “whisper novels” by women authors about their paternalistic editors; and the founding of Atheneum in 1959 by Alfred Knopf Jr.
A multilayered scholarly argument for the continued study of “the development of ethnic niches.”Pub Date: July 26, 2022
ISBN: 978-0-300-25142-5
Page Count: 272
Publisher: Yale Univ.
Review Posted Online: May 5, 2022
Kirkus Reviews Issue: June 1, 2022
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edited by Ilan Stavans & Josh Lambert
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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