Like Gaddis, Cohen also recognizes the laughs and peril at this technologically challenging stage of the human comedy and...
A writer’s effort to prepare a biography of a Google-like company’s founder sits at the core of this smart, choppy novel that's trying to take on technology, creativity, and much else.
In a couple hundred pages fewer than 2010’s mammoth Witz, Cohen (Four New Messages, 2012, etc.) presents a writer named Joshua Cohen whose last novel fared poorly because it came out on Sept. 11, 2001. Ten years later, the fictional writer is offered the job of writing “the memoir of the Joshua Cohen I’m always mistaken for,” the “genius googolionaire” creator of the Internet-search firm Tetration.com. Long stretches rich in high-tech lingo entail the Web genius describing his growing up, how the company got going, and how success affected the initial team, particularly the enigmatic Moe, who made searching profitable and then disappeared. The villain—whose complicity with the government raises echoes of Edward Snowden and Julian Assange—is the unsubtly named Tetration president, Kori Dienerowitz (with the likely laugh that the real writer may have made little dinero on Witz). The first fictional Cohen’s rocky marriage allows for fun pokes at bad blogs (his wife’s) and sloppy emails (her boyfriend’s). The real Cohen riffs impressively on countless Web-related matters, from chaos to code to venture capital to Y2K and the woes of single-minded work: “we had ringworm, shingles, scabies, and mule lymphangitis…circadian rhythm disorder, tendonitis.” The corollary for common readers could be frustration at the flood of tech terms, shorthand, and slang. It’s comparable on both counts to William Gaddis’ comic dissection of postwar finance in JR.
Like Gaddis, Cohen also recognizes the laughs and peril at this technologically challenging stage of the human comedy and its new questions about what people are searching for, how the results may affect them, and what it all may cost.Pub Date: June 9, 2015
ISBN: 978-0-8129-9691-3
Page Count: 672
Publisher: Random House
Review Posted Online: March 28, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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