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IT CAME FROM THE MULTIPLEX by Joshua Viola

IT CAME FROM THE MULTIPLEX

80s Midnight Chillers

edited by Joshua Viola ; illustrated by Xander Smith & AJ Nazarro

Pub Date: Sept. 15th, 2020
ISBN: 978-1-73391-775-9
Publisher: Hex Publishers

A genre anthology offers creepy tales inspired by 1980s horror movies.

A high school horror cinephile goes to check out a rare, locally directed film at his town’s drive-in only to suspect that the space parasites in the movie might be real—and possessing the audience. Some high schoolers perform a dark ritual in order to save the theater where they all work from shuttering, but whatever they summoned turns on them instead. Two couples go on a double date to a movie night at a natural outdoor amphitheater—only to have the picture ruined when a severed human arm flies across the screen. Blood and guts are a lot less campy in real life, as the horror movie fans that populate these stories learn again and again. The theaters themselves frequently become places of genuine terror, as in Betty Rocksteady’s “Rise, Ye Vermin!” in which a cineplex employee enters a theater to find the audience composed entirely of corpses: “Dozens of women in various states of decay twitched and jittered. Jenn stumbled, jolting a fresh new pain through her broken jaw. She tripped into one of the aisle seats and fell into a woman with long, dark hair and a hat. The hat jostled and roaches poured out of her empty eye socket.” The anthology, edited by Viola, mixes stories by horror mainstays like Stephen Graham Jones and Steve Rasnic Tem with tales by relative newcomers, such as K. Nicole Davis. Many of the writers have Colorado connections, which leads to some entertaining uses of locations, like Davis’ “On the Rocks,” set in the famous Red Rocks Amphitheater. The book also features frightening illustrations by Smith and retro cover art by Nazzaro that will get any ’80s nerd’s nostalgia juices pumping. The blend of voices working within a loose framework gives the volume some stylistic variety (though it remains—like its source material—noticeably male-dominated). As with any anthology, some of the pieces are stronger than others, but all of them exhibit an understanding for the odd brew of ingredients that make ’80s horror movies so much fun.

An enjoyable horror anthology with a strong midnight chillers concept.