Quiet, respectful, and touching.
The Norwegian philosopher and author of Sophie’s World: A Novel About the History of Philosophy (1994), brings out the existentialist in even the youngest reader.
In this pocket-sized picture book, soft, earth-toned illustrations of a pale-skinned child with black hair setting out on a walk with backpack and dog pair with mostly blank pages and the child’s thought-provoking questions, such as “Where does the world come from? Has there always been something here? Or has it all come from nothing?” Yet the questions are not simply another version of arbitrary conversation starters as in the popular The Book of Questions and its spawn, and the delicate illustrations are not simply pretty pictures to accompany pithy musings. Rather, they work together to tell a story about love, death, and many topics in between. As the child heads into a wood and digs up a box filled with trinkets, sometimes followed by a similarly sized and shaped ghost, the child raises questions of memories, fear, and the future. A short series of sepia-toned illustrations also depict the child’s past with a twin and their adventures together. Though death and grief are never mentioned, it becomes clear that the child is processing feelings through these questions. They provide an opportunity for readers of all ages to explore their own feelings on these same subjects and the world around them.
Quiet, respectful, and touching. (Picture book. 8-12)Pub Date: May 9, 2017
ISBN: 978-0-914671-66-4
Page Count: 72
Publisher: Elsewhere Editions
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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