by Joy Cowley & illustrated by Jennifer Plecas ‧ RELEASE DATE: March 1, 2003
Good little Mommy and good little Daddy are back with their irrepressible, growing daughter, Agapanthus Hum (Agapanthus Hum and the Eyeglasses, 1999; Agapanthus Hum and Major Bark, 2001). She has finally lost her first tooth and that wonderful gap between her remaining teeth allows her to make a wild, whistling noise. Her parents call it an Angel Hoot and even her dog, Major Bark, gets into the celebration by howling along every time he hears the sound. Soon, canine and human have their own little hoot-and-howl vaudeville act for Agapanthus’s class at school. Cowley’s genius with new readers is that she knows her audience. Loose teeth, growing up, friendships, animals, and school are all topics that fascinate young children. They long to be as joyous as Agapanthus, so they enjoy her exuberance, even when it goes over the top. Her teacher, Miss Ryan, good little Mommy, and good little Daddy are the perfect adults: they nod, they repair life’s little accidents, they smile and wink, and mostly they stay blessedly out of the way. Plecas’s light, colorful illustrations are the ideal foil for Cowley’s world, with the heroine jumping right out of the background frames in her celebration of life. Major Bark comes into his own in the latest installment. He could very well join Gloria, of Officer Buckle fame, on the stage as he rolls on the floor and howls along with his beloved friend. A howling success. (Easy reader. 5-8)
Pub Date: March 1, 2003
ISBN: 0-399-23344-X
Page Count: 48
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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