A book that fits moving scenes, puzzles, and mice into the same story is an excellent addition to the Jewish tradition.
This animal story may help explain why Jews became known as the People of the Book: Even the holiest books might include jokes or fables or riddles.
This picture book, arguably, includes all three. It’s a very silly story about a very serious problem. Wieder explains that, when they’re preparing for the holiday of Passover, observant Jews are required “to remove all leavened food, or chometz—down to the last bread crumb!” Fastidious Jews are never certain when it’s safe to stop searching. The Babylonian Talmud addressed the issue with a sort of brainteaser, paraphrased in the author’s note at the end of this book: “The Jewish sages discussed the possibility of mice bringing chometz into a house that had already been searched for it.” Kober takes the passage as an opportunity to paint utterly adorable mice with heads shaped like apostrophes. (He also finds a surprising variety of shades in the skin tones of the human Jewish villagers.) And the author not only works in a chase scene, with townspeople and a cat, but somehow makes a quote from the Talmud seem like a punchline. The endless arguments about cats and mice concludes with: “…This question is not decided.” But the story ends on a touching note, as the whole village joins together in a last-minute search for breadcrumbs.
A book that fits moving scenes, puzzles, and mice into the same story is an excellent addition to the Jewish tradition. (glossary) (Picture book. 4-7)Pub Date: Jan. 28, 2020
ISBN: 978-1-9848-9551-6
Page Count: 32
Publisher: Doubleday
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Feb. 1, 2020
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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BOOK REVIEW
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