Vintage Oates: splendidly written, and a useful warning to choose your doctors wisely.
New Jersey history meets Oates at her most gothic.
Exhibit A: a bumbling fellow, Silas Weir, who can’t quite get anything right, a disappointment to his parents for not making it into Harvard even as a legacy, a man horrified at the thought of women’s private parts (“loathsome in design, function, & aesthetics”)—which makes his determination to become “the father of gyno-psychiatry” all the odder. “His head was overlarge upon his stooped & spindly shoulders; his stiff-tufted hair of no discernible hue, neither dark nor fair, needed a more expert trimming; his eyes rather deep-set in their sockets, like a rodent’s eyes, damp & quick-shifting.” He cuts not much of a figure himself, but in Oates’ grim yarn, narrated in the stiff Victorian prose of the era, Weir does plenty of cutting: As the director of the New Jersey State Asylum for Female Lunatics, he has plenty of captive subjects from whom to remove uteruses and repair fistulae, with which he has a particular fascination. One inmate is a young, deaf-mute Irish woman named Brigit Kinealy, who, in a Stockholm syndrome exercise, becomes Weir’s assistant “before she had fully recovered her physical strength,” a recovery made all the less complete because, Weir realizes, he left a sponge sewn up inside her. Brigit, enslaved in all but name, proves to have inner resources of her own, ways of dealing with the “butcher of girls & women” that Weir, ever more obsessed, becomes, as he’s bent on proving the notion (and thereby winning Papa’s approval at last) that in his campaign advocating “the removal of infected female organs” lay the cure for any psychiatric disorder a woman might endure. It all makes for a creepy, circuitous tale—one based on actual history—made all the more sinister by the putatively good intentions of Weir’s son, an abolitionist and advocate for the freedom of everyone but poor Brigit.
Vintage Oates: splendidly written, and a useful warning to choose your doctors wisely.Pub Date: May 21, 2024
ISBN: 9780593537770
Page Count: 352
Publisher: Knopf
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
