Next book

I LOCK MY DOOR UPON MYSELF

A NOVELLA

Inspired by a painting of the same title by Belgian artist Fernand Khnopff (1858-1921)—and the first in a series of such art-inspired fictions planned by Ecco—Oates's slim (112-page) new novella tells of an interracial love affair in early 20th-century rural New York—and its mysterious, tragic consequences. Edith Honeystone's mother died shortly after the girl's birth in 1890, but not before she nicknamed the red-haired infant "Calla"—a name the child clings to as she grows into a neglected, half-wild teen-ager with no discernible future. When George Freilicht, an unprepossessing farmer, foolishly finds the girl's smile intriguing, her relatives hastily marry her off. Bewildered, Calla moves about her unloved husband's property like a sleepwalker, taking refuge in solitary flights into the woods. Meanwhile, Calla manages to bear George two children (whom she generally ignores thereafter) before she encounters a kindred spirit in Tyrell Thompson, a black water, dowser. Her ensuing obsession with the itinerant worker causes a storm of gossip, virtually destroys the Freilicht family name, and breaks the spirit of Calla's husband. Still, the lovers stubbornly cling to one another until the townfolk have created an entire myth from the seeds of their passion: Edith is pregnant, people say; the black man is seven feet tall; Edith gave birth to a tainted baby and the family drowned it in the well. . . Such tales can end only in tragedy. Answering her lover's challenge, Calla accompanies him in a rowboat to the middle of the Chautauqua River, where the two drift toward dangerous Tintern Falls and their separate destinies while gazing steadily into each other's eyes. Such people "made gestures that lasted for life," reflects Calla's granddaughter, who narrates this account while marveling that that wild woman's blood courses through her own, apparently tamer, veins. Oates provides Khnopff's haunting work of art, to be featured on the cover, with an eloquent voice in this breathless, shadowy tale.

Pub Date: Oct. 1, 1990

ISBN: 0865381089

Page Count: 108

Publisher: Norton

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Sept. 15, 1990

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview