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MY SISTER, MY LOVE

THE INTIMATE STORY OF SKYLER RAMPIKE

A bad idea, poorly executed. Where will Oates take us next? One wonders, and fears.

Oates’s 35th novel, which follows last year’s flawed but interesting The Gravedigger’s Daughter, is another bloated roman a cléf.

The subject is a notorious recent child murder, and, despite a firm prefatory disclaimer, there’s no doubt that this novel’s young victim was inspired, if that’s the right word, by the frail figure of serial beauty contest winner JonBenét Ramsey. The book is framed as a narrative written by the late Bliss (born Edna Louise) Rampike’s older brother Skyler, in hopes of exorcising conflicted feelings about his celebrity sibling: a precociously gifted figure skater whose bludgeoned body was found in the furnace room of their lavish New Jersey home, when Bliss was six and Skyler nine years old. Skyler’s story is composed ten years after Bliss’s death, a decade in which he had also endured the bitter collapse of his parents’ storybook marriage, another traumatic death and widespread suspicion that he was his sister’s killer. The pages mount up relentlessly. Oates satirizes the inordinate ambitions of Bliss’s nutcase parents (father Bix is a preening skirt chaser and domestic tyrant and “Mummy” Betsey is histrionically determined to transform, first unwilling and inept Skyler, subsequently docile Edna Louise, into the champion skater Betsey never became); and she breaks the back of the narrative with Skyler’s lachrymose “Teen Memory of a Lost Love,” a chronicle of Skyler's botched attempt to be a “normal” high school kid. The novel does generate power from its dogged repetitive emphasis on the wretched spectacle of innocent children malformed and victimized by their foolish parents. And Oates does manage a stunningly ironic cliffhanger ending. But the novel’s excesses consume it. Years ago, Oates admitted to a “laughably Balzacian” ambition to get the whole world into a book. But comparisons to Balzac grow ever fainter with every opus horribilis like Blonde and My Sister, My Love. More likely, this author is in danger of becoming a 21st-century Upton Sinclair.

A bad idea, poorly executed. Where will Oates take us next? One wonders, and fears.

Pub Date: June 24, 2008

ISBN: 978-0-06-154748-5

Page Count: 576

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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