An expert example of a complicated form that will reward even more on subsequent readings.
A novel-in-stories that culminates during the Covid-19 pandemic follows a Big Pharma family over the course of several generations, with an emphasis on how social repression and unchecked privilege can both thwart lives.
The famously divergent paths of poets Ezra Pound and Wallace Stevens—the former dedicated to structure and surface during a lifetime of mental instability, the latter an almost prim attorney whose work explored human subjectivity—here illuminate the unspoken stories attached to the monied Dietrich clan from Philadelphia. Beginning with a love story between two sideshow performers in Chicago and ending with an individual’s recognition of loss, Hinnefeld’s linked collection reflects how little we know about our own family histories, or ourselves, particularly when faced with societal crisis. Characters meet Pound and Stevens, whose actions and relationships weave in and out of decades; for example, when one character winds up in Venice in 2019, he notes that right-wing young Italian men call themselves “CasaPound” due to their belief in the poet’s reactionary beliefs. Meanwhile, Stevens, historically also a racist, shows up as the voice of overly genteel ideas about women’s behavior and appearances, perhaps most strongly in “Winged Siren Seizing an Adolescent,” about a young wife and mother named Tess who lives in Lisbon. That story is also a great example of how the separate pieces of a novel like this exist as stand-alones while also connecting to the characters, chronology, and concerns of the whole; a Missoni dress that Tess gifts to her former nanny reminds readers of change. Speaking of change: That titular coin, at first signaled by the “dime shows” in which English-born Maude appears, has a little-known tie to Stevens—really to Mrs. Wallace Stevens—and signals the all-too-American tension between self-determination and national mythologizing that falls apart completely in the book’s second half, “Philadelphia, April 2020.” In these four stories about the global pandemic, we see how quickly anyone’s dreams and comforts can be eliminated by disaster. Somehow the coda, “Those Who Can,” provides the perfect moment of resolution.
An expert example of a complicated form that will reward even more on subsequent readings.Pub Date: Aug. 12, 2025
ISBN: 9781609531577
Page Count: 176
Publisher: Unbridled Books
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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