by Joyce McDonald ‧ RELEASE DATE: Nov. 1, 2000
McDonald’s latest starts with a bang when four teenage criminals express their rage by trashing a local souvenir shop, then setting it on fire. Their crime is compounded when the niece of the proprietor rushes toward the fire, getting nearer and nearer to a propane tank that is about to blow. Leaving the reader in suspense, the novel then backtracks, detailing the sad histories of these four teenage delinquents, each of whom comes from a dysfunctional family. There’s Hollis, a coldhearted mastermind; Alec, a creepy loser with a criminal past; Gabriel, whose family fell apart after his brother’s murder; and Lydia, the daughter of a paranoid survivalist. Fast-paced and instantly absorbing, the book cuts between the various characters, depicting their complex psychological connections to each other and explaining how chance, circumstance, dumb luck, and wrongheaded decision-making led them to become lawbreakers. The fifth perspective comes from the more-together Gem, the niece of the storeowner and the book’s catalyst. Although McDonald (Swallowing Stones, 1997, etc.) has great sympathy and understanding for her angry, troubled characters, the book, which ends with a surprising punch line, is at heart a cautionary tale. It lays out a scenario in which good kids (two of the four offenders are basically decent) can, by taking incremental, even justifiable steps, stray so far from the boundaries of civilized, lawful behavior that there is no pulling back, no avoiding catastrophe, and no hope for a life without criminal penalties. Something to think about. (Fiction. YA)
Pub Date: Nov. 1, 2000
ISBN: 0-385-32662-9
Page Count: 281
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
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by Walter Dean Myers ‧ RELEASE DATE: May 31, 1999
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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by Walter Dean Myers ; illustrated by Floyd Cooper
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by Walter Dean Myers ; adapted by Guy A. Sims ; illustrated by Dawud Anyabwile
by Dan Brown ‧ RELEASE DATE: March 18, 2003
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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