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TRAMP

THE LIFE OF CHARLIE CHAPLIN

The little tramp takes some hard, muddy pratfalls in this masterful portrait of the artist as a swine. With anyone as well-chronicled as Charlie Chaplin, a new biography must pass the strictest tests of originality. Does it say something new or recast what is known in a different light? Milton (Loss of Eden, 1992, etc.) meets these criteria and more in this major reevaluation of a filmmaker whose one saving grace was his ability to make people laugh. His squalid London childhood was appalling—poverty, a mentally unstable actress mother, an absent alcoholic father. Chaplin got out as soon as he could, finding unexpected success as a music hall pantomime performer. Though Hollywood was eager to have him, he made little mark in his first few films. Then he created his ``Tramp'' character—the absurd mustache, the bowler and cane, the uneasy mix of pathos and buffoonery—and became a star of almost unimaginable proportions. Fame is rarely ennobling, but with Chaplin it offered too many opportunities to indulge his weaknesses. He pursued women— especially teenagers—obsessively; he cheated friends, cheated the IRS, stole ideas, supported unpleasant causes. All of this had little effect on his movies; perhaps it was even the wellspring of his talent, until he succumbed to the comedian's fatal temptation of taking himself seriously. Milton is particularly devastating in her analysis of how his films turned from ingenious slapstick to leaden, Stalinist posturings. Diagnosing the dead is always an iffy proposition, but she also makes an excellent case for Chaplin having been afflicted with manic-depression. Certainly, this would help explain his innumerable inconsistencies as well as his wild mood swings in which bursts of activity were followed by idle, sullen stretches. Despite the profusion of negatives, this is not a hatchet job. Rather, Milton presents a complex, insightful portrait of a man in whom genius and iniquity were inseparably combined. (16 pages b&w photos, not seen) (Author tour)

Pub Date: June 19, 1996

ISBN: 0-06-017052-2

Page Count: 640

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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