A child, a tree frog, and a poignant, poetic journey to find a sense of home.
Sometimes all it takes is finding an unexpected friend, waiting and still, ready for play.
A young child with pale skin, short black hair, and (literally) almond-shaped eyes has just moved to a new home. Unsure of this big change, the child holds a cat stuffie and looks askance at the movers. Then a little frog catches the child’s eye. Spread by spread, season by season, lyrical poems tell the story of this budding friendship, in which the child learns to be still and see small details in this world, as an artist or scientist does. These deceptively simple poems contain a multitude of poetic devices. Short, expressive facts about tree frogs also accompany the poems. In playing with the frog, the child mimics its movements, and on one spread, they are both depicted with the same speckles and black outline. This oneness helps the child feel less lonely and eventually find a friend in a brown-skinned classmate who is equally still and observant. Sudyka’s bold lines and vivid watercolor palette paint an immersive, verdant world, with occasional color pops. Whimsical flourishes often blur the child’s real and imaginary worlds while concealed in the illustrations are names of birds, bugs, flowers, and more for young scientists to discover. Backmatter provides additional information about tree frogs, perfect for STEAM lessons. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)
A child, a tree frog, and a poignant, poetic journey to find a sense of home. (Picture book/poetry. 4-7)Pub Date: April 27, 2021
ISBN: 978-0-358-06476-3
Page Count: 40
Publisher: HMH Books
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
IN THE NEWS
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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