by Joyce Sidman ; illustrated by Taeeun Yoo ‧ RELEASE DATE: March 7, 2017
A serene invitation to see and to think about both shape and concept.
A celebration of all things round—mostly in nature but also beneath a cozy blanket, in a circle of friends, encircled by loving arms.
“I love round things,” and “I love to see round things grow.” With expressions of surprise or quiet pleasure in Yoo’s soft, idyllic outdoor scenes, a child with East Asian features plants peas, peeks at the round eggs of a turtle and a ladybug, blows bubbles, points to tree rings and to a huge full moon. Accompanied by her youthful-looking dad (or big brother?), she carries a basket of blueberries, explores a beach, canoes past water-rounded rocks, and chucks pebbles into a pond. With five friends—each showing a different set of ethnic markers—she lies beneath autumn leaves hand in hand, heads in the center of the circle; alone, she curls up under a comforter with a pet and a picture book. The visual tally and terse commentary close with a hug and the circle-closing words “I love round things.” Roundness abounds in Yoo’s mixed-media prints: there are oranges, spirals on a turtle’s shell, the black centers of sunflowers, the concentric rings of a stump. In two pages of backmatter, Sidman goes on to describe how roundness benefits seeds, eggs, and other living things.
A serene invitation to see and to think about both shape and concept. (Picture book. 3-6)Pub Date: March 7, 2017
ISBN: 978-0-544-38761-4
Page Count: 32
Publisher: HMH Books
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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SEEN & HEARD
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