A celebration of all things round—mostly in nature but also beneath a cozy blanket, in a circle of friends, encircled by loving arms.
“I love round things,” and “I love to see round things grow.” With expressions of surprise or quiet pleasure in Yoo’s soft, idyllic outdoor scenes, a child with East Asian features plants peas, peeks at the round eggs of a turtle and a ladybug, blows bubbles, points to tree rings and to a huge full moon. Accompanied by her youthful-looking dad (or big brother?), she carries a basket of blueberries, explores a beach, canoes past water-rounded rocks, and chucks pebbles into a pond. With five friends—each showing a different set of ethnic markers—she lies beneath autumn leaves hand in hand, heads in the center of the circle; alone, she curls up under a comforter with a pet and a picture book. The visual tally and terse commentary close with a hug and the circle-closing words “I love round things.” Roundness abounds in Yoo’s mixed-media prints: there are oranges, spirals on a turtle’s shell, the black centers of sunflowers, the concentric rings of a stump. In two pages of backmatter, Sidman goes on to describe how roundness benefits seeds, eggs, and other living things.
A serene invitation to see and to think about both shape and concept.
(Picture book. 3-6)