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GOOD GIRLS LIE

Overwrought and underwhelming.

After the gruesome deaths of her parents, a 16-year-old English girl sets a terrifying string of events in motion when she moves to Virginia to attend an elite all-girl prep school.

When coding whiz Ash Carlisle  gets a scholarship to The Goode School in Marchburg, Virginia, she’s anxious to leave England, and a trove of bad memories, behind. After all, her abusive father’s death by overdose and her mother’s subsequent suicide would traumatize any child. Ash is determined to keep her head down and her grades up, with an eye toward college. However, her accent and outsider status paint a target on her back, and she soon catches the eye of haughty and beautiful Becca Curtis, a senior who rules the school with near impunity. But Ash intrigues Becca, and it’s not long before Ash’s social standing takes a turn, and she’s inducted into Ivy Bound, Becca’s secret society. Unfortunately, Ash’s hope for a new beginning starts to unravel when her roomie, Camille, takes a fatal header off the bell tower and dark secrets from Ash’s fraught past, including the circumstances surrounding the deaths of her parents, start clawing their way to the surface. Ellison throws in all the elements of a good gothic: a school history chock full of murder and mayhem; secret societies; and halls rumored to be haunted, but Ash swings wildly from sympathetic to insufferable. Readers cheering her devil-may-care attitude and initial resistance to mean-girl shenanigans will be frustrated to see her eventually groveling at the feet of Becca and her cronies, especially after the cruel hazing they put her through. Ellison juggles multiple narratives that weave past and present with ease, but with the book approaching 500 pages, readers may be exhausted from all the melodrama once they finally reach the messy, over-the-top denouement.

Overwrought and underwhelming.

Pub Date: Dec. 30, 2019

ISBN: 978-0-7783-3077-6

Page Count: 464

Publisher: Harlequin MIRA

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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